குயில் கூவிய வாறு என் நெஞ்சம் குளிர்ந்ததே வயல் சூழ் வட குடந்தை வண் தாமரைக் கண்ணனை கயல் ஏர் தடங்கண்ணி கை தொழ இமையோர் துதிக்க துயில் மார்பன் தன்னையே சொல்லும் அந்தக் கூவலே.
"How the cuckoo called — and my heart turned cool! It sings of the one in Vadakudanthai surrounded by fields, the lotus-eyed one, whom sharp-eyed women worship with folded hands, whom the gods praise — the one resting on his cool chest. That call is only for Him."
The use of the Sangam akam convention in devotional poetry is one of the most significant moves in Tamil literary history. It means: the Tamil aesthetic tradition and the Bhakti tradition are not in conflict. Tamil poetics can carry devotional content. This integration allowed the Bhakti movement to present itself as the inheritor of classical Tamil culture, not its replacement.
This is Nammalvar writing in the voice of a woman whose heart is moved by a cuckoo's call — because the cuckoo's song reminds her of Krishna. The tinai structure is the mullai (forest, waiting) — the emotional state is longing, the season is rainy, the bird is the cuckoo. Nammalvar is using the entire Sangam poetic system, inherited from Tolkappiyam, to write devotional Vaishnava verse. The tinai landscape has been theologized: it is still about longing, but the longing is now for the divine.